designed by: M. Aladdin & H. Fathy

Thursday, January 11, 2007

The Gospel According to Adam

Here is a part of The Gospel According to Adam translated by the prestigious translator Prof. Humphrey Davies( Thebes at war, The Gate of the Sun, The Yaccoubian Building, Being Abbas Al Abd), whom I thank for his caring and thoughtfulness for the novel and its writer. I do treasure Prof. Davies efforts to promote this novel and open new horizons in order to reach a different audience, in a different language. Anyhow it didn’t work, that's why I’m publishing this part here. Another reason for publishing is the great deal of respect and admiration I keep for Prof. Davies, whom I am honored to be his friend, and eventually, a close neighbour :)

Now I'd let you explore the excellence of Prof. Davies work, which I stood, for sure, along with
its real admirers.



By Muhammad Aladdin

Translated from the Arabic by Humphrey Davies

The sun directs its piercing glare at the street. Its lashes excoriate the heads and backs of the passers-by. Sticky sweat pours over my forehead as I make my slow progress, seeking protection in the shade of the buildings on my right. A few steps ahead of me the square opens out. Its face too is shiny with sweat. What sin, I ask myself, can it have committed to make the sun scorch it so with its looks? It occurs to me that I’ve chosen the wrong time for a walk; I could have waited for an hour or two. Breasts protruding beneath a tight blouse catch my eye. The girl’s lips are full too. I glance at her cautiously as she stands in front of the fast food restaurant and I go on looking over my shoulder at her prominent, well-aimed breasts, of a succulence I can almost taste. I tell myself that the young man she’s waiting for won’t come. Entering the square, I stand in front of the news stand, scanning its wares—a nourishing daily habit that does nothing for me. If I were someone else I wouldn’t bother to keep doing it over and over like a monkey, or maybe I’d actually buy the papers every morning so I wouldn’t need to stand and stare at them. I start to move away and I find her ahead of me. I notice her yielding, woman-of-the-people backside and slow my steps a little so I can examine it well. She slows too so it becomes difficult to give my glances free rein in that direction. I can feel her turning to look at me so I pretend I don’t notice. From behind my back a man in his thirties materializes who follows her the length of the sidewalk, his intentions as clear as the sun’s gaze . I narrow my eyes and the sweat makes sloping landing strips of my eyebrows while I watch the girl, the man behind her. She takes the street that ends at Falaki Square on my right so I pretend to ignore the whole thing and cross to the other side. Then a strange curiosity seizes me so I turn around and lean against the underground railway exit, watching her as she walks down the street, the man still behind her (because her breasts protrude and her backside is of the yielding, woman-of-the-people type). She must have noticed that someone is following her because she stops at a tourist shop. He stops too. She resumes her walk and he follows. She stops again at a clothing store. He stops, and the timing and the way his body turns toward her indicate that impelled by her sudden halt he is about to fire off the first salvoes that will initiate their acquaintance. She turns on her heal and makes her way once more toward the square. Now her entering the street appears to have been a random act, as she’s returning to her original position. She gives me a long look as she walks that slow walk of hers that imparts a gentle, harmonious, and anything but vulgar swing to her backside. She smiles as I look back at her before walking on again. If I were someone else, I would understand the signal or even seize the opportunity with brash swagger and accost her at the news stand, or perhaps I would go back now to where I first saw her and tell her how beautiful she is and invite her to a drink with me at the fast food restaurant. I don’t have any money on me but as a Brash Swaggerer I would possess a decent fortune and since I’d talked to her that way, I’d own an apartment set up to receive young women with protruding breasts and yielding backsides or I’d know a friend who had such an apartment, though I’d prefer doing it on my own and at my leisure. I’d speak confidently, as befits one who’d made love to as many girls as he has hairs on his head, and talk in a lofty style. She’d be generous and a good sport and agree to take her clothes off after less than half an hour and let me do whatever I wanted without saying, “That’s wrong,” and that would make me very happy. Or it might be that being a Brash Swaggerer and expert love-maker whose every night was a banquet of breasts and vaginas and backsides, it might not make me that happy, meaning that following the ecstasy of the first encounter our love making would take on a somewhat mechanical quality. She would tell me that the apartment was beautiful and that the shiny brown parquet made it look even nicer, the colors being a mixture of browns and pistachio greens that blended into a harmonious whole that was easy on the nerves and not spoiled by the small red band on the pack of Marlboro. These kinds of imaginings make me think of a Sensitive Painter who treats women, and food and drink with delicatesse. Or perhaps I’d be a cruel Bohemian Artist and I’d slap her and kick her and stick my finger in her in a way that hurt her as she lay on top of the wide old unkempt bed. She’d like that and surrender her lower half to me on the bed and sway her head as it hung out over the side and she stared at the cigarette ash scattered here and there over the ancient parquet. As a brutal Bohemian Artist I would get no pleasure out of this submissiveness of hers and try to get her angry so I could well and truly rape her. Perhaps she wouldn’t like that and would threaten to scream if I hit her again and that would certainly make me happy. I might be happy too if I went back to being a Sensitive Painter, so that I could savor her delicately, the way I did French wine, but perhaps she wouldn’t like that because she was looking for someone who would ram himself into her with the force of a mule and treat her like a piece of meat that had to be speared and chopped so it would cook faster and more thoroughly. I’d never accept anything like that because my French upbringing and life overseas had made me see women as a delectable sort of sweetmeat that was to be nibbled an inch at a time. It goes without saying that I’d have made love to beautiful Caucasian women who’d left the alluringly pendulous florets of their vaginas just the way they were. It goes without saying I’d have licked that dazzling whiteness and looked into those riveting blue eyes and thrust my hand into those smooth blond tresses. But, as a Sensitive Painter, I’d have grown bored with white Caucasian bodies and felt a need to savor more thoroughly the ruddy brown. On the other hand as a brutal Bohemian Artist I’d have written a secret doctoral thesis on the special excitement created by having a “country chicken” clucking away on your bed, what with her piercing looks and her slightly snub nose and her kinky hair, all of which send the lust screaming and three-dimensional through your veins. The Caucasian Snow White type stirs up in me something that wants to rape and make love to it like a machine so that you feel her almost melting beneath you, but the country chickens are solid ramparts immune to time and erosion who demand of you wordlessly, “Is that the best you can come up with?” Perhaps I won’t be a painter but go back to the image of the Brash Swaggerer, though now I’d add the word “Vulgar” because I’d be wearing a bracelet and a gold chain that would up my price bracket in the eyes of the girl with the protruding breasts and yielding backside. My apartment would have to be decorated in bright colors because I’d think those are the most elegant in the world. The bed would have to be wide and showy, with mirrors and red sheets. The hair of my chest would have to be bushy, even if I had to use a razor on it and I’d have to be sucking on a cigarette while she caressed me. I’d be the spoiled son of a rich businessman who’d had him after having five girls first and who was preparing him to run every detail of his business all the way from abstention from mere marijuana to how to make a tasteful choice of presents to be sent to the big guys. My skin would be brown to contrast with the expanses of gold on my wrist and neck and fingers. My bedroom would be stuffed with furniture and floored with high-cost ceramic tiles whose price I didn’t bother to ask when I bought them. I’d call out to her with explicit expressions that doubtlessly would not appeal to the Sensitive Painter but which would be perfectly appropriate to the Bohemian Artist, who has often offered to re-do my apartment. Maybe this whole story would never happen at all because the girl with the protruding breasts and yielding backside would never allow me to address her as “babe” as she stands at her first place in front of the fast food restaurant. I’ll try once more and maybe molest her a bit. I’ll be a Bald Mechanic with an ugly face wearing my clean Sunday clothes and on my way to the movies and certainly I won’t be happy when she rejects me and maybe I’ll stick my finger into her in a despairing gesture of revenge. That might happen and at that moment I might strike out at the crowd that would gather after a few minutes with infinite denial that I’d ever interfered with the girl with the protruding breasts and yielding backside. I might be taken off to the police station, where the officer whose car I usually tune would get me out after signing an undertaking not to molest her again. Maybe the girl would agree to let me touch her protruding breasts and play with her vagina in the cinema because the only apartment I have has been taken over by my children’s mother, not to mention the children. She would take twenty pounds off me plus the price of the ticket and I’d go back happy to tell everyone in the café the details of my sortie, adding to them by saying she really liked me and offered to take me back to her place so I could pleasure her, and it turned out that her husband was there and he was queer and wanted me to pleasure him too, so I pleasured her and gave the husband a slap across the face that knocked him flat. And the workshop bosses around me would be laughing at the husband who was a pimp and a sodomite and none of them would say anything about how I get all hot for the backsides of the apprentices in the workshop and that what really happened was that I pleasured the lad Hamada on the back seat of the car that was there for an overhaul after I got out of the police station. In the midst of the laughter I might catch sight of the Sensitive Painter sitting on a chair on the sidewalk opposite and whisper to one of them that he was queer. And as the Sensitive Painter on the chair in the low-class café I’d stare at the Bald Mechanic who wears clean clothes on Sundays and I’d say to myself . . .


يعقووبوو said...

التعليق على البوست السابق
الي فهمته انك نزلت كتاب .. مبروك ومبروك لنفاذ الطبعة الاولى وساتوق لقرائتها (-;

Muhammad Aladdin said...

شكرا يا يعقوبو و اسف علي التاخير في الاعليق.. اتمني انا كمان انك تقراها

Anonymous said...

thank! for this news it's a good infomation !